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  3. 请阅读Passage 2。完成第小题。 Passage 2 In the 1962 movie Lawrence of Arabia, one sce...

请阅读Passage 2。完成第小题。 Passage 2 In the 1962 movie Lawrence of Arabia, one sce...

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问题 请阅读Passage 2。完成第小题。
Passage 2
In the 1962 movie Lawrence of Arabia, one scene shows an American newspaper reporter
eagerly snapping photos of men looting a sabotaged train. One of the looters, Chief Auda abu Tayi of the I-Ioweitat clan, suddenly notices the camera and snatches it."Am I in this?" he asks, before smashing it open. To the dismayed reporter, Lawrence explains,"He thinks these things will steal his virtue. He thinks you're a kind of thief."
As soon as colonizers and explorers began taking cameras into distant lands, stories began circulating about how indigenous peoples saw them as tools for black magic. The "ignorant natives" may have had a point. When photography first became available, scientists welcomed it as a more objective way of recording faraway societies than early travelers' exaggerated accounts. But in some ways, anthropological photographs reveal more about the cu|ture that holds the camera than the one that stares back. Up into the 1950s and 1960s, many ethnographers sought"pure" pictures of"primitive" cultures, routinely deleting modern accoutrements such as clocks and Western dress.
They paid men and women to re-enact rituals or to pose as members of war or hunting parties, often with little regard for veracity. Edward Curtis, the legendary photographer of North American Indians, for example, got one Makah man to pose as a whaler with a spear in 1915--even though the Makah had not hunted whales in a generation.
These photographs reinforced widely accepted stereotypes that indigenous cultures were isolated, primitive, and unchanging. For instance, National Geographic magazine's photographs have taught millions of Americans about other cultures. As Catherine Lutz and Jane Collins point out in their 1993 book Reading National Geographic, the magazine since its founding in 1888 has kept a tradition of presenting beautiful photos that don't challenge white, middle-class American conventions. While dark-skinned women can be shown without tops, for example, white women's breasts are taboo. Photos that could unsettle or disturb, such as areas of the world torn asunder by war or famine, are discarded in favor of those that reassure, to conform with the society's stated pledge to present only"kindly" visions of foreign societies. The result, Lutz and Collins say, is the depiction of "an idealized and exotic world relatively free of pain or class conflict."
Lutz actually likes National Geographic a lot. She read the magazine as a child, and its lush imagery influenced her eventual choice of anthropology as a career. She just thinks that as people look at the photographs of other cultures, they should be alert to the choice of composition and images.

"But in some ways, anthropological photographs reveal more about the culture that holds the camera than the one that stares back." In this sentence, "the one that stares back" refers to__________.
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选项 A．the indigenous culture
B．the Western culture
C．the academic culture
D．the news business culture
答案A
解析本句意为“但是，在某些方面，人类学家拍摄的照片展现的与其说是那个盯着照相机的 (被拍摄的)文化，不如说是拿着照相机的(西方)文化”。作者暗示，照片反映了西方摄影者的偏见和对落后文化固有的看法，反映的是西方的价值观．并不是完全真实客观的那些不发达社会的写照。
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